Oct 31, 2018
In a special Halloween themed episode, things get spooky as we talk about the myriad of horror documentaries available online, review 78/52: Hitchcock’s Shower Scene and Chris interviews Kimberly Reed of Dark Money.
Group Review Documentary:
78/52: Hitchcock’s Shower Scene (2017) / USA (Director: Alexandre O. Philippe Producers: Robert Muratore, Kerry Deignan Roy)
Available to stream on Hulu, Google Play, YouTube & Amazon
Film Featured in Interview Portion:
Dark Money (2018) / USA (Director: Kimberly Reed, Producers: Kimberly Reed, Katy Chevigny)
Available to stream on Google Play, YouTube & Amazon
Other Documentaries Mentioned:
Beware the Slender Man / 2016 (Director: Irene Taylor Brodsky)
Caniba / 2012 (Director: Lucien Castaing-Taylor, Verena Paravel)
Dark Tourist / 2018 (Director: Colin Rothbart, Zoe McIntosh, Justin Hawkes, Ian Hart, Paul Horan, David Farrier)
The Devil We Know / 2018 (Director: Stephanie Soechtig)
Doc of the Dead / 2014 (Director: Alexandre O. Philippe)
Faces of Death / 1978 (Director: John Alan Schwartz)
Haunted / 2018 (Director: Jan Pavlacky)
Haunters: The Art of the Scare / 2017 (Director: Jon Schnitzer)
Haxan / 1929 (Director: Benjamin Christensen)
Hell House / 2002 (Director: George Ratliff)
Inside the Criminal Mind / 2018 (Director: Max Serio)
Killer Legends / 2014 (Director: Joshua Zemen)
Making a Murderer / 2015 (Writers: Moira Demos, Laura Ricciardi)
The Nightmare / 2015 (Director: Rodney Ascher)
The Rachel Divide / 2018 (Director: Laura Brownson)
The Staircase / 2018 (Director: Bryan Gildner)
They’ll Love Me When I’m Dead / 2018 (Director: Morgan Neville)
TVTV: Video Revolutionaries / 2018 (Director: Paul Goldsmith)
Timestamps:
00:45 - Intro discussion about Horror Documentaries
20:35 - Group review of 78/52: Hitchcock’s Shower Scene
32:15 - Chris Interviews Kimberly Reed of Dark Money
50:30 - Doc Talk
Hammer to Nail Links by Christopher Llewellyn Reed:
Website/Email:
disinfo@fogoftruth.com
Credits:
Artwork by Hilary Campbell
Intro music by Jeremiah Moore
Transitional music by BELLS (thanks to Christopher Ernst)